The Seed of the Sacred Fig: Chicago Reader Review

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The Seed of the Sacred Fig, directed by Mohammad Rasoulof, is a nearly three-hour film that starts with a sense of political urgency and paranoia in Iran. The filmmaker effectively portrays the family’s growing sense of distrust and fear as political disruptions intensify. However, the movie takes a turn halfway through and loses its initial depth and intensity. The father character, Iman, spirals into madness, putting his family in danger and leading them into a maze outside.

While the first half of the film is engaging and thought-provoking, the second half veers into a more bizarre and less coherent storyline, reminiscent of The Shining. The once potent depiction of the oppressive regime’s pressures becomes overshadowed by the erratic behavior of the characters. The movie loses its initial focus and impact, leaving the audience feeling disconnected from the narrative.

Despite its shortcomings, The Seed of the Sacred Fig offers a unique perspective on political paranoia and the impact it can have on families. The performances of the cast, particularly the children, add depth to the family dynamics portrayed on screen. Overall, the film presents an intriguing exploration of the consequences of living in a politically charged environment.

In conclusion, The Seed of the Sacred Fig is a mixed bag, with moments of brilliance overshadowed by a disjointed second half. While the film starts strong, it struggles to maintain its initial momentum and coherence. Viewers looking for a deep dive into political paranoia may find aspects of the film compelling, but those seeking a cohesive narrative may be left wanting more.

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