Vana Aguilar’s “Blinked Twice” Exhibition at Tala Gallery
On a scorching summer afternoon in Chicago, I find myself outside Tala gallery, drawn to the white plastic chairs positioned in front of the building. These chairs evoke memories of my childhood, where my family would gather on similar makeshift seating after a long day’s work. It’s a moment of relaxation and unwinding, making do with what we had. This sense of familiarity and comfort is echoed within Vana Aguilar’s exhibition at Tala, where I discover moments of solace and reflection amidst the art pieces.
Aguilar’s “Blinked Twice” marks her first solo exhibition, curated by John H. Guevara of Chuquimarca. After graduating from the School of the Art Institute of Chicago, Aguilar returned to California before showcasing her work back in Chicago. The exhibition showcases the evolution of Aguilar’s practice, highlighting the journey from California to Chicago and the significance of presenting new pieces alongside older works.
Throughout the exhibition, Aguilar creates spaces for people to connect and relax, symbolized by the fences displayed within the artworks. In collaboration with Juan Arango Palacios in the past exhibition “El Brillo en Sus Ojos,” the theme of fences was explored. “Que Calor,” a piece depicting two individuals by a chain-link fence, portrays a sense of separation but also hints at personal and artistic expression within working-class communities. Fences, especially in Latinx neighborhoods, represent home and are often adorned with colorful decorations, reflecting a sense of identity and belonging.
One of Aguilar’s newer works, “Love Don’t Live There,” features an orange fence surrounded by homes and playful figurines, emphasizing the importance of creating inviting and warm spaces within communities. The aesthetics of decorative fencing serve as a visual language that welcomes neighbors and friends, fostering a sense of community and connection.
Amidst the exhibition space, white plastic chairs are strategically placed as installation pieces, inviting visitors to pause and contemplate Aguilar’s art. The nostalgia evoked by these chairs and artworks creates a sense of familiarity and belonging, bridging the gap between Los Angeles and Chicago. Aguilar’s work transcends geographical boundaries, emphasizing the beauty and resilience of working-class Latinx neighborhoods.
Despite the physical distance between cities, Aguilar’s art speaks to the universal themes of home and community. Whether in Los Angeles or Chicago, decorative fencing serves as a symbol of comfort and identity for Aguilar. The exhibition “Blinked Twice” runs until October 6th at Tala, offering viewers a glimpse into Aguilar’s artistic journey and the interconnectedness of different communities.
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In the ever-evolving landscape of visual arts, architecture, literature, and more, Chicago continues to be a hub of creativity and innovation. From Federico Solmi’s monumental video installation at the Block to Hull-House Museum’s exploration of art as a tool for social change in “Radical Craft,” the city’s arts scene is vibrant and diverse.
Hương Ngô’s solo show at TSA-Chicago delves into the hidden labor behind technology, shedding light on the complexities of our digital world. Meanwhile, Corbett vs. Dempsey celebrates 20 years of artistic enthusiasm and dedication, showcasing a rich history of supporting contemporary art.
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From established galleries to emerging artists, Chicago’s arts and culture scene continues to push boundaries and redefine artistic expression. As we navigate the ever-changing landscape of creativity, these recommendations serve as a testament to the city’s rich cultural heritage and ongoing commitment to artistic excellence.
