Since Beck gave his first Danish concert at Christiania in 1994, he was completely lost.
When he gave his latest Danish concert at NorthSide in the last year, he was completely mild.
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unfortunately, It is the latter version of the Beck that goes again on his new album, ’Hyperspace’. The affair is considerably more spacet than hyperactive.
the Majority of the disc’s songs are created in collaboration with Pharrell Williams, who appears as a bad match for the californian icon.
the Compositions are not strong enough to carry the storhittende colleague’s penchant for rigorous minimalism, and a futuristic soundscape dominated by synthesizers, floating Beck lost around in the room with the stuffy nose and manipulated falsetto.
Especially the last half is flimsy constructed, and a thin game, but the beautiful melodies of ’Die Waiting’ and ’Chemical’ creates life in the beck’s glistening tågesound.
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The crazy jack of all trades covering may ancient tricks on the explosive genresammenstød ’Saw the Lightning’, where you can actually notice that the kid behind ’Loser’ and ’Devil’s Haircut’, fortunately, still is actually going on somewhere deep inside the little man.
Beck turns 50 this summer, and he obviously can’t be the naughtiest drengerøv in the class, but ’Hyperspace’ is one of the sort of overripe slices, that make, that he does not need to rush back to Denmark.
the Cover to beck’s 14. studio album, ‘Hyperspace’, which includes guest appearances by Sky Ferreira and Chris Martin.
