Every week it has its own name on the networks, and this is that of Itziar Ituño, actress, known mainly for her role in the series aptly titled La casa de papel. But we all have or play various roles in life.
Itziar Ituño demonstrated a few days ago in Bilbao for the rights of ETA prisoners. From here different debates were opened, starting with the right to freedom of expression, but also the subsequent of the companies to decide who represents them, the taking sides with its also sequel of accusations of difference in treatment and, once again an effect of the previous, the irruption of politics in its worst sense, which is not that of insults – also a consequence – but the inability to judge something outside of partisanship. What a (mental) block.
The appearance of the actress at the demonstration had as the first corollary the termination of her collaboration by a BMW dealer or a video from Iberia, described by some tweeters as a “boycott for her ideas ”, while others argue that freedom applies to everyone. Summarizing: “I think it’s very good that the actress Itziar Ituño spoke out in favor of the ETA prisoners (it’s within her right, and it’s her freedom of expression). But it also seems logical to me that certain companies consider that if he does this they are not interested in him representing them” (@javisanchezglez).
A lot (well, some) of the tweet queue had the same thing from Íñigo Errejón: “With Itziar Ituño, with the right to free expression and to move forward to resolve the consequences of the conflict”. This, “conflict”. The box of thrones. The accusations of “faces” and “assassins” always ready to be exhibited, if possible in public, to be ratified by the respective tribe. As a tweeter who complains, it is a saying, that since he has expressed his “support” for Ituño, “I don’t stop blocking”. Then it turns out he has a hundred followers. Less smoke.
From here, from the “conflict”, that the cancellation is already on the way out even if the subject continues here, we arrive at what should be the bottom of the matter, what to do with that immediate past on which tiptoeing. Will it be the protagonist in future decades of a review like the one that is being made of the transition?
Rafa Nadal was there, that is to say, through Arabia, and he is also receiving bravely, just like BMW, of which Pablo Iglesias or Echenique now remember their “ties with the Nazis”. But then “are you insinuating, Professor, that Itziar Ituño has had links with a campaign in favor of a Nazi company?” (@JaviSantamarta).
