Omer Abbas Salem, known for his hit dramedy Mosque4Mosque, has shifted gears with his latest play, Happy Days Are Here (Again), currently showing at Steep Theatre. The play delves into the dark and pervasive issue of child sexual abuse within the Catholic Church and other institutions. Directed by Azar Kazemi, the story unfolds at St. Boniface High School in 1979, highlighting the sinister reality faced by the students.
Inspired by Ryan White’s documentary series The Keepers, Salem’s script introduces us to a cast of characters, including the young victims, sympathetic nuns, and the manipulative priests. The power dynamics within the school, reminiscent of the community structures in the church, are portrayed through the characters of Father Patrick, Father Brian, and Brother Bob. The play sheds light on the culture of silence and shame that surrounds such heinous acts, making it difficult for the victims to come forward.
Unlike other works that may leave room for doubt, Happy Days Are Here (Again) presents a clear and unflinching look at the abuse suffered by the students. The play navigates through moments of confession and revelation, showcasing the lasting impact of trauma on the victims. While seeking justice and closure may be futile in this narrative, the play serves as a stark reminder of the ongoing issue of abuse within religious institutions.
Despite some repetitive moments and narrative threads that may lead nowhere, Salem’s play succeeds in highlighting the complexities of abuse and its effects on the victims. The exceptional cast and direction add layers of depth to the story, immersing the audience in the unsettling world of the play. The set design by Lauren Nichols further enhances the voyeuristic experience for the viewers, creating a sense of unease and tension.
In a time where discussions around abuse and accountability are more prevalent than ever, Happy Days Are Here (Again) serves as a poignant and timely piece of theater. It forces audiences to confront uncomfortable truths and challenges the systems that perpetuate such atrocities. Salem’s play may not offer easy answers or resolutions, but it ignites a necessary conversation about the importance of speaking out against abuse and holding perpetrators accountable.
As theatergoers continue to seek out thought-provoking and impactful performances, Happy Days Are Here (Again) stands out for its raw and unapologetic portrayal of a dark reality. It serves as a reminder that storytelling has the power to provoke change and shed light on the darkest corners of society. Salem’s play is a testament to the resilience of survivors and a call to action for all to stand against injustice.
