Alice Tippit’s exhibition, “The Deep Element,” at Patron, is her second solo show at the gallery. The collection includes oil paintings, sculptures, and works on paper but unfortunately falls short of expectations.
Tippit’s paintings like Quit and Bling fail to convey a clear message, with their attempt at symbolism coming across as mundane rather than intriguing. The sculptures, although potentially interesting, are marred by the addition of found objects like a hummingbird nest and lace, undermining the artist’s originality. The aqua-colored mural that encircles the gallery, hinting at a horizon line, lacks subtlety with a cartoonish finish that overtly spells out its theme of water.
The overall lack of self-awareness and sincerity in Tippit’s work makes the exhibition tiresome for viewers, especially considering Patron’s reputation for showcasing high-caliber artists. Despite the gallery’s track record of featuring renowned artists like Caroline Kent and Jennie C. Jones, “The Deep Element” falls short of expectations, highlighting the challenges of maintaining a consistently exceptional program.
In contrast, other local artists are exploring themes that challenge the status quo and offer fresh perspectives. For instance, at Old Friends, three artists are delving into the absurdities of the present moment through their work, providing a thought-provoking experience for viewers. Similarly, Leasho Johnson’s paintings at another exhibition investigate Blackness, queerness, and Caribbeanness, adding depth and diversity to the art scene.
Cheri Lee Charlton’s exploration of medical mistreatment and the consequences of patriarchal misdiagnosis sheds light on important societal issues, urging viewers to confront uncomfortable truths. Additionally, the documentation of Palestinian voices in “Landscapes From Under the Rubble” offers a perspective often overlooked in mainstream discourse, providing a platform for marginalized voices.
Furthermore, the celebration of LGBTQ+ joy in Diana Solis and Patric McCoy’s exhibition “Just Below the Surface” brings queer histories to the forefront, contributing to a more inclusive and diverse art community. Tyanna J. Buie’s use of AI to reinterpret her family’s legacy explores the intersection of technology and Afrofuturism, pushing boundaries and challenging traditional artistic practices.
Overall, while “The Deep Element” may have fallen short of expectations, the vibrant and diverse art scene in Chicago offers a multitude of opportunities for viewers to engage with thought-provoking and innovative work that challenges norms and celebrates diversity.
