Norman W. Long is a composer and sound artist who found his passion for experimental music while studying at Illinois State University in the 1990s. His journey led him to earn a master’s degree in fine arts from the San Francisco Art Institute and a master’s in landscape architecture from Cornell University. Long’s expertise in field recording and ecology has allowed him to document the changing landscapes of south-side neighborhoods and parks, particularly Big Marsh Park in South Deering. Chicagoans have the opportunity to join Long on soundwalks organized by the Midwest Society for Acoustic Ecology to experience these environments firsthand.
Long’s musical influences stem from his time playing the clarinet in school and his exposure to various genres such as house music, hip-hop, and rock. His interest in avant-garde music grew over time, leading him to explore artists like Steve Reich and expand his listening habits. Graduating from the San Francisco Art Institute in 2001, Long’s art practice shifted towards sound-art performance, incorporating field recordings and digital music production.
In 2009, Long was able to showcase his sound installation at the Experimental Sound Studio’s Florasonic series in Lincoln Park. This experience marked a significant moment in his career, allowing him to establish relationships within the Chicago art community, including the Midwest Society for Acoustic Ecology. Despite facing challenges in securing solo gigs, Long found collaborations with artists like Angel Bat Dawid & Tha Brotherhood and the support of labels like Reserve Matinee to showcase his work to a broader audience.
Long’s dedication to his craft extends beyond his artistic pursuits. In 2015, he began leading soundwalks in partnership with the Midwest Society for Acoustic Ecology and the Night Out in the Parks program, guiding participants through Washington Park and Big Marsh. These walks offer a unique opportunity for individuals to engage with their surroundings through active listening and environmental awareness.
As a Black artist, Long recognizes the importance of representation and diversity within the field of experimental music. He acknowledges the growing interest from people of color in field recordings and ecology, highlighting the significance of shared perspectives and resources. Long’s work serves as a platform for self-expression and personal empowerment, allowing him to connect with his higher self and find validation through his artistry.
Through his journey as a composer and sound artist, Norman W. Long continues to push boundaries and challenge traditional notions of music and sound. His commitment to environmental advocacy and sonic exploration creates a space for dialogue and reflection, inviting others to join him on a transformative sonic journey through the dynamic landscapes of Chicago.
