Sasha Rainbow’s directorial debut film, Grafted, offers a unique blend of campy tone and brutal sensibilities, delving into the consequences of self-hatred that extend beyond one’s own body. The film follows Wei, a young girl who witnesses her father’s tragic death while trying to cure his facial disfigurement. As Wei navigates social isolation and professional betrayal, she finds herself entangled in a cycle of violence, using her father’s research to stitch faces onto her own.
Despite its intriguing premise, Grafted struggles to fully balance its thematic elements, often veering between tones. While Wei’s transformation from a troubled student to a menacing figure is compelling, the transition feels underdeveloped, serving more as a vehicle for bloody kills rather than character development. However, Joyena Sun’s performance as Wei brings warmth and relatability to the character, grounding the film in its exploration of identity and assimilation.
The film’s sound design immerses viewers in the visceral nature of the violence, highlighting the ways in which individuals alter themselves to fit societal norms. Grafted also touches on themes of internalized racism and the masks we wear to please others, ultimately reminding audiences of the importance of embracing one’s true self.
While Grafted may not seamlessly blend its genre thrills with its underlying themes, it remains a thought-provoking exploration of identity and societal pressures. Screened at the Chicago International Film Festival and available for streaming on Shudder, Grafted is a compelling addition to the body horror genre, inviting audiences to reflect on the complexities of self-perception and acceptance.
