The documentary, Dahomey, directed by Mati Diop, follows the journey of 26 treasures from the Musée du Quai Branly in Paris back to the Kingdom of Dahomey, now known as Benin. The film highlights the challenges faced by the Beninese government and historians as they navigate France’s attempt to right the wrongs of colonialism. One particular treasure, a statue of a fallen Dahomey king, symbolizes the struggle of identity and recognition after more than a century of separation. The film delves into themes of art history, archaeology, pedagogy, and generational cultural and global history, shedding light on the deep impact of colonial behavior.
Through a magical realist lens, Dahomey captures the spirits of Dahomey royalty and the people of Benin as they grapple with the aftermath of colonial looting. Community meetings and discussions bring to the forefront existential and ethical questions surrounding restitution and reparation. The film leaves viewers pondering the timeline for the return of the thousands of remaining treasures to their homeland. Mati Diop skillfully encapsulates the complexities of colonizer’s undoing, inviting audiences to witness the beginning of a resolution.
In addition to Dahomey, other recent film reviews include “Flow,” which envisions a world without humans in a paradisiacal setting. “Cloud” explores online crime and real-world punishment, while “Fréwaka” uses folk horror to great effect. “Grafted” delves into body horror, providing an uncomfortable yet immersive experience. “Haunt Season” is a locally made Halloween-themed film with surprising sweetness, and “Piece by Piece” is a sensory delight documentary about Pharrell Williams and Lego.
These reviews showcase the diverse range of films currently captivating audiences, from thought-provoking documentaries to immersive horror experiences. As viewers navigate the cinematic landscape, they are presented with opportunities to engage with complex themes, historical narratives, and artistic interpretations that challenge and inspire.
