Eugène Ionesco’s play “Rhinoceros” has been revived at Theatre Y and is making waves with its timeless satire on battling herd hysteria. The play, which features a diverse cast and unique set design, explores the idea of groupthink and the normalization of absurdities in society. As the sightings of rhinoceroses multiply in the town square, the citizens must grapple with the changing reality around them.
Director Melissa Lorraine’s decision to have the audience turn their chairs multiple times during the performance adds to the dysphoric atmosphere of the play, blurring the lines between reality and absurdity. The protagonist, Bérenger, portrayed by Bide Akande, represents the last beacon of sanity in a world gone mad. His cathartic moment of primal release at the end of the play resonates with audiences longing for a sense of clarity in chaotic times.
In a world filled with noise and distractions, the play raises the question of whether those in power are truly listening to the concerns of the people. As technology advances, the ability to tune out unwanted voices becomes easier, leaving many feeling unheard and disconnected from the world around them.
“Rhinoceros” serves as a timely reminder of the dangers of group mentality and the importance of staying true to oneself in the face of overwhelming pressure to conform. The play’s themes can be applied to a variety of modern-day issues, from political unrest to global pandemics, making it a relevant and thought-provoking piece of theater for audiences of all ages.
In a society where the line between reality and absurdity is increasingly blurred, “Rhinoceros” challenges viewers to question the status quo and resist the urge to blindly follow the herd. As the play unfolds, it becomes clear that the true measure of sanity lies in the ability to think independently and hold onto one’s humanity in the face of overwhelming chaos.
