Payal Kapadia’s recent film, “All We Imagine as Light,” brings a rare tenderness to Indian cinema that has been missing in recent years. The film beautifully captures concepts of romance, sex, longing, and loss without resorting to over-dramatization or trauma. Instead, Kapadia focuses on the subtle emotions and gestures that define love and belonging. The gentle jazz-piano score and soft sound design create a unique atmosphere, turning the bustling city of Mumbai into a soothing backdrop for the characters’ intimate moments.
One of the most refreshing aspects of the film is its portrayal of forbidden love between a Hindu girl and a Muslim boy. Rather than emphasizing the political implications of their relationship, Kapadia highlights the genuine connection between the characters. Divya Prabha and Kani Kusruti deliver heartfelt performances that capture the complexity of love, while Chhaya Kadam’s portrayal of Parvaty adds a sense of balance to the narrative.
Unlike many contemporary films that aim to manipulate audiences with pity or attraction, “All We Imagine as Light” allows its characters to feel deeply for each other. The film’s quietness and subtlety are its strengths, inviting viewers to immerse themselves in the characters’ world without unnecessary distractions. Through poetic overlays and poignant dialogue, Kapadia explores the nuances of love and longing in a way that feels authentic and relatable.
Overall, “All We Imagine as Light” is a beautifully crafted film that showcases the power of understated storytelling. By focusing on the small moments and gestures that define human connection, Kapadia creates a poignant and moving portrait of love in all its complexities. This film is a must-see for anyone who appreciates thoughtful, character-driven cinema that resonates on a deep emotional level.
