How many smiles will you get and conversations will you open if you don’t limit yourself to the formality of the waiter’s “hello, how are you” by replying with a “well, thank you” and adding a “and you?”. How many sympathies David Bisbal arouses when he approaches the fans with a duck walk, with his feet pointing outwards. And how many does the singer win when, while addressing them, he exclaims: “Well, cómo están los máquinas, lo primero de todo. ok Come on, let’s have a few shots” (sic).

The machines are fans who demand a photo of him and who accept his machination. “Bien, bien, bien, bien”, they answer him automatically in thousandths of a second, like strikers. The singer’s greeting has been trending on the networks and it will also be trending on the street to the point of boring us in some of our day-to-day lives.

What is most valued in a media personality is naturalness. Bisbal blew her up at the exit of a concert. There’s no cheating, because there’s more on TikTok: the one that’s been going viral on Twitter is a short version of it. In the original, the artist is indeed seen taking a photo with someone who could very well be the brother of Ibai Llanos, while his affability with celebrity photo-hunter Henry Gutiérrez (henrygr126) is even thinner: “Vaya cadenilla more beautiful than you are”.

It is the translation of their intrinsic body language into verbal language. The version in words of his energetic kicks and flips on stage.

In the video the singer behaves with the simplicity that is his own. @buarena has defined it very well: “His identity is compact, round; he says exactly what he should say and wears exactly the clothes he should wear; asking the fans ‘bueno, cómo están los máquinas’ wearing a pink dress is something Bisbal would do”.

A singer, an athlete, an actor can afford naturalness. Also crowning, as we have seen, with a Poly Klyn or a Toi Toi one of the towers of the Sagrada Família is an unequivocal sign of naturalness. But this feature is always under discussion in the political class. He asks for it, but is slapped when he tries to adopt it.

Now, however, they have the opportunity to try it on the Late Show of the communicative machine that is the beast Marc Giró. The presenter let Pere Aragonès open up in a tray, starting with the shouts to get him on the set. First political swords or mayors would make a mistake if they didn’t go there. Don’t worry, we’ll turn a blind eye and pretend we don’t know they’re in pre-campaign. Escaping formalities opens many doors.