Can you play my lyrics if I write you some lines right now?
Of course. And I won’t charge you, because maybe my analysis will serve to guide readers.
What do you look for to begin with?
In the pressure on the pen when writing. I brought a magnifying glass to examine, moreover, the pressure on the paper with which you write…
And does this letter seem normal to you?
In an excessive pressure on paper, we appreciate the tensions that the writer has had growing up and his ambition to leave a mark on life. In addition, in the stroke we could appreciate pathologies or addictions, such as alcoholism or cocaine…
don’t scare me
I had mine analyzed myself and they found an ovarian cyst after that excessive pressure revealed that I had some kind of disease.
What other pathologies does the letter reveal?
Depression is seen in the descending base of the line and in descending firms.
After the pressure, what do you analyze?
Margins: both in line spacing and in letter spacing or word spacing: the analytical capacity of the writer, for example, can be seen in the fact that the spacing is larger…
And if my font is small?
It would denote the capacity for observation to appreciate nuances and details.
What if I leave a lot of space between words?
I would say that this capacity for observation manifests itself in the face of great complex realities; but it can reach the extreme that the inter-space is so wide that it reveals a tendency to delay this reflection until contemplation and, in the end, passivity…
Would it be that bad?
If the graphological analysis is entrusted to me by a company that expects you to make quick and decisive decisions…, then yes.
Do you appreciate my good handwriting?
It is not relevant whether a letter “is beautiful” or not; maybe it is understandable. Other than that, as a graphologist I will never judge him, but I will describe him according to his handwriting. We don’t judge: we analyze.
And those ovals of my huge font?
The bold letter indicates extraversion.
Also if it is angular?
The pointed, angled font is characteristic of personalities who are usually in tension and who usually seek to impose themselves…
And if, on the other hand, it is bow tie?
They tend to convince, rather than win by force, even in some cases, manipulate.
And if it is very inclined?
The slant of the letter denotes the disposition of the writer towards others and also at work, of course.
In what sense?
If you tend to write in such a way that the letters lean to the left, it is more suitable for the office and to stay in the back, study cabinet, logistics… than not, for example, the sale.
Does PR tilt the letters to the right?
Absolutely, and it’s a point that companies appreciate when I analyze manuscripts for personnel selection.
Can its graphology be applied to manuscripts in any language?
Not only is it relevant to any language, but I myself have analyzed writings on business behalf of candidates for office of different nationalities and I would dare to characterize them without the intention of pontificating: only as simple notes of my own experience
Come in!
I had to examine manuscripts of Italian candidates for a position in a Spanish company and I was surprised how common the double round was in the a …
in the to ?
Yes, and we interpret it to denote extreme attachment to the mother figure…
The mother ?
The spider mother. I also detected in Chinese candidates for a position in a Spanish multinational a certain intellectual rigidity…
In Chinese calligraphy?
They were texts in English. We haven’t even gotten to Chinese yet, but it must have the analyzable features, no doubt. And also, without wishing to generalize, regarding the Colombians…
I hope I don’t fall into clichés.
I just wanted to say that I appreciated in them a consummate capacity for simulation – they are great actors due to cultural influence – which Europeans in general do not have.
Why did you become a graphologist?
for love I fell in love with graphology listening to how a consummate professional described it with passion in a talk she gave us at university.
Their references in the discipline?
Masters Jaume Tutusaus and Juan Allende del Campo, because they have updated graphology from experience with the most modern techniques.
