Throughout the history of television, many fictional series have managed to win the hearts of thousands of viewers, who to this day remember some of them with great affection. Many of these fictions have accompanied us during various stages of our lives. The impact that they once had on the Spanish audience has endured over time, and they are now part of the history of the small screen.
An example of this is the series Aquí no hay quien viva. The fiction of Antena 3 was on the screen during 2003 and 2004. Throughout its six seasons and its almost one hundred episodes, a great multitude of characters entertained viewers with their more than crazy adventures.
After its end, the directors of the comedy once again created a universe similar to La que se avecina on Telecinco, where many of the actors from the original got back into the hilarious adventures of a neighborhood community. About her passage through both series, the actress Isabel Ordaz wanted to be honest this past Wednesday.
The interpreter, who gave life to Isabel, better known as La hierbas, in Aquí no hay quien viva and Araceli in La que se avecina, visited the Hoy por hoy program on Cadena Ser, where she wanted to compare the humor of both series.
The actress without cutting herself was very critical of the way of doing comedy in the Telecinco series. ”Sitcom is gone, and I know what I’m talking about because I’ve been doing sitcom for three years. But then, when things changed, it was no longer a sitcom. Everything was based on the fact that the phrase had to be funny, witty, witty. Wit kills comedy. And I’m playing it, huh?”, she confessed.
”Comedy needs a lot of situational tempo. It is made based on counterplans. It’s not so much what you say, but what happens and the reactions of the characters,” he explained. And it is that according to the actress now it is sought that the dialogue is funny all the time. ”Comedy is for smart people. Another thing is mockery, which does not interest me. What puts my own integrity at stake is funny to me,” she asserted.
In contrast, she wanted to defend what was done in the Antena 3 fiction. Although she entered with considerable insecurity, Ordaz claimed to be proud of what was done. ”It was a great series, it was a situation series, a classic sitcom. The scripts were spectacular, there was an extraordinary cast, there were topical and typical characters, but within their pettiness there was tenderness. People had their moments of weakness, where it was possible to sympathize with each other,” she said.
