Candela Peña responds to criticism received for a photo she uploaded from a hotel: "Shame about what?"

Netflix is ??about to release one of its most anticipated productions in its catalog, The Asunta Case. The series, based on the murder case of Asunta Basterra Porto, a 12-year-old girl who died at the hands of her adoptive parents, Rosario Porto and Alfonso Basterra, will arrive on the streaming platform this coming Friday, April 26.

After the success of The Burning Body, a series based on the well-known crime of the Urban Police and starring Úrsula Corberó and Quim Gutiérrez, the red giant wanted to bet on the same plot line and recreate another of the most media cases in the country. On this occasion, the fiction will star Candela Peña and Tristán Ulloa, who are currently immersed in the promotion of the series.

This past Tuesday, the Catalan actress visited Alone with…, the Podium Podcast presented by Vicky Martín Berrocal, to talk about the imminent premiere of The Asunta Case and some of the controversies in which she has been involved in recent months.

One of the most talked about controversies on social networks was the image that Candela Peña published last November on her Instagram profile and in which she appeared in her underwear in a hotel in Cádiz. ”Older lady without a filter, but with a cell phone, temperature regulator and pride in achieving or at least getting closer to the goals,” the actress wrote alongside the photograph.

”I published a photo in a hotel, of this thing that you are on a diet. In a hotel, you see, I was in Cádiz before a performance and I saw myself in my panties and I said well, I’m going to take a photo,” he began by saying. However, what the actress did not expect was a barrage of criticism for her physique. ”Women are super cruel. They told me, “Aren’t you ashamed?” Shame of what? A 20-year-old aunt can do this and nothing happens,’ she confessed.

Furthermore, the Catalan interpreter confessed that she had not uploaded the image to show off, but to claim the existence of all types of bodies. ”I am this age, there is no filter. And yet I see myself as privileged (…) We are many and in many ways. It seems that all people who are dedicated to audiovisuals have to be one way and that is not the case,’ she asserted.

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