Another year, another Cannes Film Festival in the books. And let me tell you, the films this time around left quite the mark on us. It was a brutal Cannes, no doubt about it. New directors came out swinging, while the seasoned ones brought their A-game. Below are 10 titles that really made an impression. Brace yourselves, because these films are going to be the talk of the town for months to come. Proceed with caution, though. Some of them pack a punch that you won’t easily forget.
Die, My Love:
Lynne Ramsay finally delivers another masterpiece and Jennifer Lawrence shines in this gripping tale of a new mom trapped in a loveless marriage. Ramsay pushes the boundaries with this one, turning Lawrence into a force of nature. It’s raw, intense, and a departure from Ramsay’s previous work. Definitely one to watch out for.
Eleanor the Great:
June Squibb steals the show as the incorrigible Eleanor in this heartwarming yet heartbreaking story. Director Scarlett Johansson brings empathy to the screen, crafting a character-driven gem that will tug at your heartstrings. Sure, there are a few missteps, but Squibb’s performance more than makes up for it.
It Was Just an Accident:
Jafar Panahi takes us on a journey of forgiveness and memory in this powerful film. The haunting sound of a false leg sets the tone for a gripping story of redemption and revenge. Panahi’s rage is palpable, making this film a must-see experience that will stay with you long after the credits roll.
The Mastermind:
Kelly Reichardt flips the heist genre on its head with this gentle yet compelling tale. Josh O’Connor shines as the half-smart art thief whose world unravels before our eyes. Reichardt’s attention to detail and subtle humor make this film a refreshing take on the genre. Don’t expect the usual heist movie cliches here.
Pillion:
Harry Lighton challenges conventions with this boundary-testing romance that delves into themes of submission and desire. Alexander Skarsgård and Harry Melling deliver captivating performances that will leave you questioning the nature of love and power dynamics. It’s a bold, unconventional love story that pushes the boundaries of traditional romance.
The Secret Agent:
Kleber Mendonça Filho takes us on a thrilling ride through 1977 Brazil in this crime drama. Wagner Moura’s soulful performance anchors the film, as we witness a widower’s desperate struggle to protect his family. Mendonça’s vivid storytelling and cultural references make this film a standout at Cannes.
Sirât:
Oliver Laxe’s deliriously cool survival story transports us to a post-apocalyptic world where speed and EDM music reign supreme. With echoes of Antonioni’s cryptic style, Laxe delivers a visually stunning and exhilarating experience that will leave you breathless. It’s the end of the world as we know it, and we’re totally fine with it.
Splitsville:
Michael Angelo Covino’s sprightly comedy explores the complexities of modern relationships with humor and heart. The naturalistic cinematography adds a touch of authenticity to the fizzy hijinks on screen. While the film may stumble at times, it’s the fantastic performances and unexpected twists that make it a must-watch.
Urchin:
Harris Dickinson shines both in front of and behind the camera in this gritty tale of addiction and survival. Frank Dillane delivers a career-defining performance as the troubled protagonist, bringing a raw intensity to the screen. Dickinson’s confident direction and rich character development make this film a standout at Cannes.
Yes:
Nadav Lapid’s audacious and dazzling film takes us on a wild ride through the lives of Tel Aviv hipsters caught in a web of hedonism and despair. Efrat Dor and Ariel Bronz sizzle on screen, embodying the highs and lows of a generation grappling with tragedy and excess. It’s a film that pulsates with energy and emotion, offering a unique glimpse into the turmoil of modern life.
