Every week has its own name on the networks, and this is that of Itziar Ituño, actress, known mainly for her role in the series precisely titled La casa de papel. But we all have or play various roles in life.
Itziar Ituño demonstrated a few days ago in Bilbao for the rights of ETA prisoners. From there, different debates were opened, starting with the right to freedom of expression, but also the subsequent right of companies to decide who represented them, the taking of sides with their also sequel of accusations of double standards and, once again, of the previous one, the emergence of politics in its worst sense, which is not that of insults – also a consequence – but the inability to judge a fact or opinion outside of partisanship. What a (mental) block.
The first corollary of the actress’s appearance at the demonstration was the termination of her collaboration with a BMW or Iberia dealership, described by some tweeters as a “boycott for her ideas,” while others defend that this freedom applies to everyone. Summarizing: “It seems very good to me that the actress Itziar Ituño demonstrates in favor of the ETA prisoners (she is within her right and it is her freedom of expression). But it also seems logical to me that certain companies consider that if she does that, they are not interested in having her represent them” (@javisanchezglez).
Many (well, some) Twitter queue had the same as Iñigo Errejón: “With Itziar Ituño, with the right to free expression and for moving forward in resolving the consequences of the conflict.” That, “conflict”. The thunder box. The accusations of “fajas” and “murderers” are always ready to be exhibited, if possible in public, to be ratified by the respective tribe. Like a tweeter who complains, he says that since he has expressed his “support” for Ituño, “I can’t stop blocking.” Then it turns out that he has a hundred followers. Less wolves.
From there, from the “conflict”, that the cancellation thing is already on the decline although the topic continues here, we arrive at what should be the bottom of the issue, what to do with that immediate past that is being ignored. tiptoe Will it be the protagonist in future decades of a review like the one that is being made of the transition?
Rafa Nadal was passing through there, that is, through Arabia, and is also receiving his share, just like BMW, of which Pablo Iglesias or Echenique now remember its “ties with the Nazis.” But then “are you suggesting, professor, that Itziar Ituño has had ties to a campaign in favor of a Nazi company?” (@JaviSantamarta) .
