Stephen Sondheim’s legacy continues to captivate audiences as his timeless tunes are brought to life in a dazzling pre-Broadway celebration. The Ahmanson Theatre in Los Angeles sets the stage for a star-studded tribute to the musical genius, showcasing a lineup of seasoned performers in a grand spectacle that promises to leave a lasting impression.
The brainchild of producer Cameron Mackintosh, “Stephen Sondheim’s Old Friends” is a lavish affair that spares no expense in paying homage to the legendary composer. With a collection of greatest hits, the show is a veritable treasure trove of musical gems, offering a glimpse into the illustrious career of Sondheim.
As the curtains rise, the audience is treated to a mesmerizing display of vocal prowess, led by the luminous Lea Salonga and the incomparable Bernadette Peters. Salonga’s ethereal soprano fills the theater with a radiant glow, transporting listeners to the heart of each musical masterpiece. From the haunting melodies of “Passion” to the iconic tunes of “West Side Story,” Salonga’s performance is a masterclass in musical storytelling.
While some performers may veer towards melodrama in their delivery, Salonga’s understated elegance shines through, allowing Sondheim’s lyrics to take center stage. With meticulous attention to detail and a deep respect for the material, Salonga captures the essence of each song with a grace and precision that is truly awe-inspiring.
On the other hand, Peters’ opening night performance falls short of her usual brilliance, hinting at a possible struggle with a cold. Yet, her undeniable charm and stage presence command the audience’s attention, drawing them into her world of musical enchantment. As a veteran interpreter of Sondheim’s work, Peters’ legacy is cemented in her iconic performances, including a poignant duet with Salonga and a show-stopping rendition of “Children Will Listen.”
The ensemble cast, comprised of both seasoned professionals and rising stars, delivers a showstopping performance that is a testament to their dedication to Sondheim’s legacy. From Beth Leavel’s defiantly louche rendition of “The Ladies Who Lunch” to Bonnie Langford’s guttural delivery of “I’m Still Here,” each performer brings a unique flair to the stage, showcasing the breadth and depth of Sondheim’s oeuvre.
As the evening unfolds, the audience is treated to a visual feast of scenic design, lighting, and costumes that set the stage for a truly unforgettable experience. The production, while at times overstuffed with comic numbers, manages to capture the essence of Sondheim’s musical genius through a series of ingeniously staged numbers that transport viewers to a world of theatrical wonder.
While “Stephen Sondheim’s Old Friends” may not be a biographical show, it serves as a stylish homage to the maestro’s enduring legacy, offering fans a chance to revel in the magic of his musical creations. As the final notes of “Being Alive” resonate through the theater, it becomes clear that Sondheim’s legacy will continue to inspire and enchant audiences for generations to come.
As the lights dim and the applause fades, one thing is certain – the spirit of Stephen Sondheim lives on in the hearts of all who have had the privilege of experiencing his timeless music. In a world where artistry and creativity reign supreme, Sondheim’s legacy remains a beacon of inspiration for all who dare to dream.
