“Discover through our images the atmosphere, the dishes and the special moments at Taberna Garibaldi.” Well, you won’t discover it and if you believe this legend that crowns the image gallery on the website of the establishment that Pablo Iglesias premiered this week, you You will feel deeply deceived and stewed. Because none of the images are of your own dishes. Neither are those of the establishment. Not even that male torso in the shape of a capital V will be enough for the meter and a half of beer foam that they put on you. Monroe would want it for its bubble bath. But temptation lives upstairs, and not in Lavapiés.
The one who raises the issue is @chus_fr, in modest prices. He points it out to @jordii84: “Chus, delete, they are from an image bank. Do not hurt yourself”.
In any case, the tavern does not steal, but it does deceive. Associate the images with names of your dishes. There is no notice that the website is under construction or that, in fact, who knows, Ferran Adrià is deconstructing it like a potato omelet. Offers meals that do not exist. Clumsily, too. In “Our featured dishes on the menu”, a kind of beetroot Greek salad is a Garibaldi insalata; a meat pie becomes a Garibaldi toast, or the same photo of a plate of egg pasta with grated white truffle is at the same time, in the new bar, some spaghetti ai funghi.
Some restaurants regularly use photo banks. It follows logic that as the tavern functions, they will be replaced. But they falsify, and the network is crueler than what the night of May 12 will mean for Ciudadanos. “It’s the expropriation menu,” says @NachoAnaya4; “The images are of the people and for the people, nothing of ‘your’ images. “They are ‘our’ images,” says @gazpachuelopre ironically.
Lucía Etxebarría also raves about the prices, only to later feel butterflies in her stomach and compliment one of the members of Garibaldi: “There is a very nice and very cute guy who is one of the members, and if I remember correctly he was a singer-songwriter from Cádiz. . To Caesar what is Caesar’s”.
The portrait in the Garibaldi of Pepa Flores sings to the writer if her heart is happy, and that of Raffaella Carrà, on the contrary, gets irritated, jealous and wants to believe that everything is rumor. There is a third sign, that of Smirnoff Red vodka, by the jug, in case Yolanda Díaz appears one day.
