In the Motomami style that Rosalía made fashionable last year, the miniskirts of tables and leather pieces cannot be missing. Rosalía has fused biker and schoolgirl aesthetics to achieve looks that have revolutionized street style and have evolved.
Just a few weeks ago, the Catalan showed a new version of the college aesthetic with a white T-shirt with a trompe l’oeil effect with which she winked at Vivienne Westwood, a firm that could dress her on her wedding day with Rauw Alejandro. The interpreter of Beso was wearing a design that emulated a corset that squeezed her chest and with the painting of Daphnis et Chloé, by François Boucher, stamped. A work that the British designer turned into one of her hallmarks.
But this week, Rosalía has shown a new version of her favorite style. The artist published on Instagram several images of her from her passage through Brussels, a publication where she once again made clear her commitment to Westwood and her predilection for the school uniform.
However, on this occasion, her pleated skirt, much longer and in a brocade fabric, and a gray and maroon cable-knit sweater, with which she accompanied her blue shirt, drew special attention. In this way, the Catalan added a new piece to this set that she usually wore with a shirt, tie and a much shorter skirt.
A look that the singer completed with black leather boots, a silver XL ring and her hair collected in an informal bun with a parting in the middle. She also highlighted her no make-up, with illuminated and well-hydrated skin and her lips outlined in nude to give volume.
In the same publication, there was another image that did not go unnoticed. Rosalía appears sitting in the bathroom and wearing a gray printed minidress, with a neckline that she has already worn on several occasions and that belongs to Vivienne Westwood, a detail that could give a clue as to what her wedding dress will be like. She finished off her look with considerable platform shoes and white knee-high socks.
