Tamara Falcó’s love life continues to be one of the topics of greatest interest in our country. Since the Marchioness of Griñón and her husband, Íñigo Onieva, said “I do” on July 8 at the El Rincón palace in Madrid, in front of more than 400 guests, their next steps as husband and wife have monopolized all eyes.

After enjoying an idyllic honeymoon halfway around the world, the couple was immersed in finalizing their new love nest. And in 2020, Isabel Preysler’s daughter acquired a luxury penthouse in the Puerta del Hierro neighborhood in Madrid, near her mother’s residence.

Since then, the El Hormiguero collaborator has been very excited about the beginning of a new stage of her life in her new home. But progress has not gone as the couple expected and the move to the luxury penthouse has had to be delayed. At the moment the exact date on which the couple will begin to live in this home is unknown, but many have already speculated that the move will take place in the month of November.

Meanwhile, the controversy surrounding the home has increased as the days have passed, to the point that Tamara Falcó publicly confessed that she did not like the house much. ”The house is very modern because it is all glass and is made so that you can be seen from all sides of the house. It’s very pretty on plan, but I think that for me it’s not the best idea,’ she said on the Pablo Motos program.

These words did not go unnoticed by Joaquín Torres, architect and author of the controversial home, who days after the statements wanted to give his opinion through social networks. ”Zero controversy with Tamara Falcó. She doesn’t offend me with anything she said. She doesn’t like her penthouse, let her sell it… Controversy settled,’ he communicated through his Instagram profile.

But these recent statements have not been the only ones that the architect wanted to give about the controversial words of Tamara Falcó last Thursday. This same Monday, Torres went live on the Espejo Público program, where he attacked the Marchioness of Griñón.

”This house requires aesthetic criteria, and this girl doesn’t have it. On her day everything was very nice because she said that she saw her mother’s house. Now she doesn’t like it so much because it turns out that they see her,” she began by saying. ”She bought a product and she made a mistake,” she said.